Monday, 18 May 2009

Electric Soul show – 10th May 2009 – www.icrfm.co.uk - Ipswich town, England

*The Electric Soul Show is now on air - "Live" every SUNDAY - BETWEEN 10:00AM TO 12 NOON - English Time* Please check the time/s for your country listening times within the white bar or strip on this website*

Started the show of with this, as I wanted to get over as many tracks as possible for you the listener as always. I haven’t played this track on the show before, but I have always wanted to and its still a winner in my book. The track is called “It never rains in Southern California” by Tony! Toni! Toné! (Released in 1990 on the album called the Revival) was a great way to start the show. This tune had a slight tingle of a funk vibe all the way through it, but once again the main musical vibe on this track is the Soul music edge provided by the boys, and especially the leads vocals provided by Raphael Saddiq wonderful vocals, The drum pattern and the bass line are steady. But it’s the keyboards, the light acoustic guitar and the orchestration that has been added to this single that makes it so good. Please have listen to this track for yourselves to see what I am going on about by clicking on the link below.



The next track up on today’s show saw me delving into the Gospel music scene. The track in question was called “More than a” by Lisa McClendon (Released in 2003 from the album called “Music”). Best Track on this album for me this track is. Start of with a huge bass line and drum pattern, and nice sounding Keyboards; and then Her voice kicked in. And what a voice that Miss McClendon processes. Clear as a bell and as sweet as Sugar. Reminds you of one part Jill Scott and one part Nora Jones is the best way I can describe her vocal talents to you all out there. Her message is gospel after being raised in a gospel background she puts this message against a Neo Soul Sound and classic soul sound that seems to be winning her over many fans. She is helped by some great backing vocalists on this track that they themselves you believe could come to front of this and deliver just as good lead vocals on this track. Please go to her website which has just been updated. There you will find new details of her and her pending new album called “Reality”.

www.myspace.com/mcclendonlisa


Next track up is what we call and out and out Rn’b single, from the one of the best singers in that gender - "Dont't Trip" Donnell Jones featuring Mike Jackson (Released in 2008). Slow to mid tempo track that features a nice and heavy bass line and drum pattern, and also it seems to feature samples snaps from the late great Notorious B.I.G in the background. The groove is just spot on for me anyway. It also features a more then credible from Mike Jackson on this single that works just fine in regards to Donnell Jones voice. Please, please have a listen to this one. You’ll find that you had will be swaying to side to side once this song is on. Please click on the link below.



The next single sees me varying away from the modern day Rn’b sound and onto Soul music. It doesn’t come better then this “You’d better not hurt me” by Carol Riddick (Released in 2006 on the album called “Moment like this”). Wow this is just beautiful record. It starts off with a lovely sounding keyboard riff that keeps repeating its self over and over which works, and sets up the single for a vocalist such as Carol. When she appears within the track he voice sounds so soulful charged that you are wanting for this single NOT to finish. She is accompanied by some equally fine backing vocalists on this track that make the vocals side of things sound so great.

Please, please have a listen to this track. Soul single releases like this make the music of “Soul” so revered all over the world. Please click on her website which does contain copy of this song on her website.

http://www.myspace.com/carolriddick


The next track up on the schedule strays into the Rn’b world but has healthy supply of Soul to keep it nice and sweet. The track in question is called “Computer Love” by Maskerade featuring Renee T (Released in March 2008), which works, I have to say. Starts off again with a light keyboard entrance, and simple drum pattern to get the listener ready for the vocals. The vocals from Maskerade are just so right. To be honest Maskerade remind me of Eric Benet at times, who seems to have capture this type of groove for himself over the years. Maskerade is helped along his vocal journey on this by backing singer called Renee T. The groove is just right slow to mid tempo. I think given more exposure that people will soon fall in love with the Maskerade sound. Please click on the link below to hear it yourselves.



The next track sees me once again moving, but this time to Soul music tinged with Funk music. The track in question is called “Down here with you” by Van Hunt (Released in 2004 from the album called “Van Hunt”). Lovely funk bass line and drum pattern on this one. Also added flutes, and soft sounding keyboards on this number as well. Then comes the Prince like vocals of Van Hunt which sound spot on for this type of this single. Mid tempo track which worked perfectly along with the funky vibe going all the way through this track. Sound sensually as well at the time. Got that Maxwell feel about it if you know what I mean. Anyway please have a listen to this track by clicking on the link below.



The next song selection is called “Feel good feel” by Joleon Davenue (released 2007 on the mixtape called “Something Special”, London, England). I loved everything about this track. I loved the sample that was used and speeded up to match the rap that was accompanying it. It is a well-known tune within the Rare Groove music fans of this music. It fact he (Joleon) had used the Don Blackmon’s track called “Holding you, Loving you” (released 1982 – from the album called Don Blackman) to create this tune. Joleon’s version dare I say it, is even more funkier then the original. Or should I say it’s more danceable? Yeah I will say more danceable that’s the word. I love the way he raps on this. It’s all about telling a story. And I have to say he does it well. Yet another Hip Hop track that if you listen to the words you can actually envisage in what he is telling you. Have a listen to the track. You will like it, and maybe cause you to enquire more about this new and up and coming artist from the Uk. Please click on his Myspace website to find out more about him.

http://www.myspace.com/joleondavenue


Played this last week and I decided to give it an airing again this week. The track is called “Let the funk flow” by EPMD (Released in 1988 from the album called “Strictly Business”). Thought I stay on the hip Hop trail with another single.

This tune owes much of its success due to the fact that it uses a heavy slice of these tracks to make it possible in the first place – “(It's not the express) it's the JB's Monaurail' by the JB’S (Released in 1975)and the use of "Nobody Knows You (When You're Down and Out)" by Otis Redding (1966). This is funk meet Hip Hop with great rapping interplay between Eric Sermon and Parrish Smith on this as well. It really will make your head nod and smile at the lyrics that are coming from these two. A hip hop track from 20 years ago that still sounds so good. Please click on the link below to listen to the track in question.



The next track sees me moving away from Hip Hop music scene and back onto a Funky, yet soulful Rn’b music track. My next selection is from the Uk, from the group called Hill St. Soul. The track is called “Black Rose” by Hill St.Soul (Released in 2008 from the album called “Black Rose” ). You are greeted with absolutely stunning funky bass line and drum pattern, and guitar riff on the outset of this single. Then Hillary Mwelwa comes in and really sets down the law. Hillary I have to say sounds so much like Angie Stone, and that can’t be a bad thing. This is one single that you will love as soon as you hear it. It’s funky and so soulful at the same time. Please just click on the link below to hear more of it. Please!



Yeap you’ve guessed it I’ve that part in the show. It was time for me to play the Rare Groove selection part 1 of the show. For those of you that listen in each week I need not say anything more. For those of you that are new to this well. Each week I play two sections of the Rare Groove selection. 3 songs in each part. These songs are either bonafide rare grooves, or songs that people have simply forgotten about. (However, if you want to know what was played in this part of the show you will have to listen to the show!)

As the last throes of the last song within the Rare Groove selection was finishing. I had already decided on playing more soulful Rn’b styled music. The next track is still one of my favourite Rn’b tracks about still even though it was released in 2002. The track is called “Faithful” by Raphael Saddiq (Released in 2002 from the album called “Instant Village”) and was the first solo album he did since leaving the group called Toni, Tony, Tone. What a great sounding track this is. I love that old soul Rn’b sound. It will never go out of fashion, but on this occasion it is boasted by the addition of a funk vibe allowed to ride all the way through it. The singing by Raphael is great. Half way through the track Raphael enters into a spoken conversation with the backing vocalist which helps to break it up, and make it sound even more interesting as a single. I just love this. Please listen to this. This is a quality song.




The next track sees me back into the world of Rn’b styled Gospel music. I’m really going in all directions today aren’t I? Well, the title for this track is called “7 Days” by Deitrick Haddon (Released in 2006 from the album called “7 days”). Starts of sounding like something that Bobby Valentino would have put out. Starts of with a harp like sound, keyboards and a violin like effects to greet us on the start of this single. Then all of a sudden Deitrick’s voice, the bass line and drum beat groove are all added and everything sounds sublime. It really is such a good sound that you forget that it is a Gospel track. The track features really good backing singers that add weight to the song when they sing the chorus. Oh yes, I love this tune. Have a listen yourself to see what I mean. Please click on the link below.



Back to Soulful and yet funky Rn’b music again with my next selection. The track that I dropped was this ”Watching her” by Jon B (Released in 2008 on the album called “Helpless Romantic”). So, so funky, but not in the most brazen of ways; however its the groove that makes it as funky as hell. However, it is sweetened by the soulful vocals of Jon B. I like this single. The funky groove which is slow to mid temp makes you nod your head, and yet the soulful approach keeps you in check. I have to admit it has Dwele written all over it in my opinion. When I first heard this I thought it was another killer from Dwele, but it wasn’t to be. But no problems, this is still as great single. I love that obscure vocal sample that flits in out of the single in the background. This one works. Please have a listen to this track you will love it.




Well I did a complete change with my next selection of track. It raised a few eyebrows I can tell you, but it shouldn’t really because it does feature Soul, Jazz and Funk elements within the mix. “Sincere” by M.J.Cole (Released in 2001 from the album called “Sincere”) was the next track up that I dropped for my listeners. The Skippy drumbeat and bassline that was such a feature within the Uk Garage movement is all here. But more importantly it contains the voice of Elizabeth Troy. Wow, her voice is just what is needed on the Jazz infused Uk Garage track. Atmospheric, Jazz and Soul infused Uk Garage track that is often credited as one of the tunes of the movement. I have to agree it doesn’t get better then this. Please click on this to hear it all again. Its that good.



I tasted the Uk Garage flow and I wanted more. With that in mind I dropped this “Neighbourhood” by Zed Bias featuring Nicky Prince & MC Rumpus (Released in 2000). Starts with Zed Bias playing some Jazz Chords in the background, which is added to with Nicky Price uttering the words “When the Dj keeps it real”. Then was are given more Jazz like chords in the background of the tune, and then comes the whole thing whether you are ready or not. The obligatory Skippy drum pattern and bassline, and the vocals and chorus of “I feel good, good, good, good. I feel good, yes wonderful good. Anytime I come into the dance I have to listen to my, my, my, my neighbourhood”. Then the bass line seems to go even lower and the drum pattern seems to be even more fierce after that. The groove on this is just so raw and rough. Brings back memories for you? It does for me. Please have a listen to this track will make you groove.



Stayed with Uk Garage movement with just one track with this. This one being “I believe” by Goldie (Bump and Flex mix) (Released 2001). This one is more soulful then the previous Uk Garage track that I just played. However, this track started out as a Drum and Bass track when it first originally came out. It was written and produced by one of the legends within Drum and Bass music that is Goldie. However, Bump and Flex members who are Grant Nelson and Norris the Boss the Windross got their hands on this one, remixed it for us, and came out with this classic Uk Garage track from the ashes. I love the way in which they allow the singer/vocalist to start the track with out accompanying music on the outset at all. Then all of a sudden you get everything all at once. The skippy drum pattern, the simple walking, yet funky bassline, the jazz keyboard stabs, and finally the occasional vocal pattern of the vocalists being bought in and out of the song. It really does work on this single. It sounds great in a club or when you have this playing this in your car going to work. Well, I think it does. Have listen to it below to see if you agree or not.



Well, I had my fix of Uk Garage. I though it better to change the flavour a bit, and did so with my next track. I decided on playing a track from and up and coming artists that had sent me something through the post. The track was called “My Life” by Kastaway (Released in 2008 on the Mixtape called “1934”). Slow to mid tempo grove that uses an obscure jazz music sample to start the show off within this track. Kastaway voice sounds just right for the mellow sounding Rap track. Basically the lyrics are all about his life so far. I just love the beat, the groove and it seems like two samples that are used in this track. However I love the fact that he allows for trumpet sample to be played in this track to finish it all off altogether. I thought that it was a nice touch. I personally love the melodic sounding hiphop. Do you agree? Have a listen by going to his website where you can hear all the songs from his album there. Please click on the link below.

http://www.myspace.com/kastaway1on1


The next track that I was going to drop on the show I had already played before on the station. “My style” by Rare Jewelez (Released in 2008 on the mixtape called “Kings Pawn”). Rare Jewelez is an up and coming artist/ whom I have always liked to support in any way I can if it will help him or anyone that sends good material to me. The material that he sent me was Gospel Hiphop. A rap with a message, and a groove that you just can’t beat. So funky over a slow to mid tempo groove that makes you nod your head at the same time. I would love to find out what samples that they have used to make this tune up. It sounds that he has used at least 3 samples to create the musical side of things on this. However, I love his rapping. He sounds so laid back, and yet he gets his message over at the same time. Please check this out and hear for yourselves by clicking on the link below.

http://www.myspace.com/rarejewelzmusic


Looking up on the studio clock I didn’t realise that there was around 15 minutes left on the show to go. Wow was I having fun or what? I ended up playing the second of part of the Rare Groove selection part 2 on the show to finish. No I'm not going to tell you what I played. Listen in whenever I play live, and you will find out.

I hope that you will leave any comments about any of the various songs that you either heard through reading and listening (Via the links) on this Blog page or via listening to the show when it was played live on Sunday. Please leave any comments here and have you say.

If you are an up and coming artist/s and you would like exposure for your music. Please leave your comments here as well so that I can get back to you. Please do not be shy. Thanks.

Saturday, 16 May 2009

Electric Soul Show – 3rd May 2009 – www.icrfm.co.uk - Ipswich Town - England

*The Electric Soul Show is now on air - "Live" every SUNDAY - BETWEEN 10:00AM TO 12 NOON - English Time* Please check the time/s for your country listening times within the white bar or strip on this website!*

Started the show of with this, as I wanted to get over as many tracks as possible for you the listener. I have played already this on the show before, and it is still a winner. The track is called “Reach down in your soul” by Sy Smith and Wes Felton (Released in 2008 from the album called “Conflicts”) was a great way to start the show. This tune had that funky vibe all the way through it, but featured a delightful soulful edge to it at the same time. The soulful side was provided by Sy Smith wonderful vocals, however the drum pattern and the bass line still just wanted you to make you groove. It’s so damm funky to be honest. There is even a credible rap provided by Wes Felton half the way through this track that breaks up the tune just right.

A wonderful single that could be easily re-released again and it would top many Rn’b music charts around the world. Even normal national charts as well. Have a listen to the track in question by clicking on the link below.



The next track up for play on the show was this “So pissed off” by Angie Stone (Released in 2001 on the album that is called “Mahogany Soul”). This was her follow up album to the critically acclaimed debut of hers called “Black Diamond" which got a released in 1999. If you see this album in the store – “Mahogany Soul” – please get it. It another tune that features a fantastic sounding bass line to it but its not so in your face if you know what I mean? It is layered over with great vocals from Angie Stone, and her backing vocals on this; together with a lovely sounding Rhythm guitar that works, and some simple keyboards. For me this is the best track on the album. Angie is let off the leash on this track so to speak. Her vocals are so spot on over a simple groove, which this has, and will see you humming the chorus yourself ever so often. This is good stuff trust me. Have a listen yourself by clicking on the link below.



The next track up on the show has featured on the show before. February 2009 to be precise that this tune featured on this show.Jazz meets Soul is how I can describe this next tune, but the emphasis is placed more on the Soul music side then anything else. James Boykin’s voice reminds me very slightly of Dwele, or even Raheem Davaughan. At first when I heard this track I thought it was Dwele singing. I love the dreamy like jazz guitar start to this song. It helps to create a great atmosphere together with the Rhodes like keyboards that have been added for good measure on this track as well. James Boykins 111 sounds like Dwele its as simple as that. Lovely light soulful vocals that are laid down here. He is helped along with a backing singer that fills in beautifully so that he can lay down those whisper like soul vocals (James Boykins 111). Please have a listen to this by clicking on the link below.



The next track up was a Rap or Hip Hop track in which I wanted to play, just to mix things up a bit on the show. “Still lives through” by Little Brother (Released in 2005 on the album called “The Minstrel Show”) was the track in question. I have to say that Little Brother are fast becoming one of “THE” underground Hip-hop groups of today from the Usa. Many of the band are now going onto to help established Hip-hop and Rn’b stars on their albums and pending singles such is their reputation. This I have to say is alternative sounding Hip-hop if it can be given a label? Sounds like they were influenced by Slum village, A tribe called Quest that sort of rap group. The beat and groove on this is funky but not in an obvious way. I would love to know what sample that is used throughout the tune though. It sounds great, especially as it used right at the start of the song as well. The Rapping between Big Pooh and Phonte Coleman is wonderful. Great lines, great delivery and great flow between the two. What more do you want? Please have a listen to this live version by clicking on the link below.



Staying with Hip Hop Music I go back in time with my next selection. This track uses pure funk music to make this work; and work it does . The track is called “Let the funk flow” by EPMD (Released in 1988 from the album called “Strictly Business”).
Yes, it owes much of its success due to the fact that it uses a heavy slice of these tracks to make it possible in the first place – “(it's not the express) it's the JB's Monaurail' by the JB’S (Released in 1975) and the use of "Nobody Knows You (When You're Down and Out)" by Otis Redding (1966). This is funk meet Hip Hop with great rapping interplay between Eric Sermon and Parrish Smith on this as well. It really will make your head nod and smile at the lyrics that are coming from these two. A hip hop track from 20 years ago that still sounds so good. Please click on the link below to listen to the track in question.



Staying with Hip hop still, but moving with the Soulful side or vibe of Hip Hop music, sees me dropping this for the listener, “Be alright”(the remix) by Foreign Exchange (Released in 2004 on the album called “Connected”). Wow this is so good. It could passed over as a Rn’b track on its own because its that good. However, they did decide to employ a Rapper on this track on this cut. His name is called Median; but they also decided to employ a singer on this cut as well as it was so soulful. His name is Darien Brockington. Please watch out for this guy I think he is going to go far. If I have to be truly honest for me this is the best cut on a brilliant album. It wowed the Hip hop world when it got released, and was critically acclaimed. Just have a listen to this soulful, atmospheric styled Hip hop cut that works on all levels. Please click on the link below and enjoy.



Well, that was the last track from me in a while in regards to Hip Hop music as the last throes of “Be alright” by Foreign Exchange was finishing. I decided to go back to Soul music with my next selection. You just can’t beat a nice slice of soul music can you? Started the show of with this last week, and decided to include it in this weeks show again. The track is in its self called “Enjoy yourself” by Slakah the Beatchild (Released in 2008 from the album called “Soul Movement volume 1”) was a great way to start the show. Lovely soulful number, the drums are not harsh, the bassline is very simple indeed like the piano start to this, which sets the song up nicely. Reminds of a something that maybe Eric Bennet would have done. I love his voice (Slakah) as it is soft and yet so clear. I also like the fact that he name drops artists such as Marvin Gaye and SWV within his lyrics, which helps pricks up your ears. As soon as you hear this and you appreciate the Soul music sound, you will be wanting to hear this again. There is an alternative version of this going around as well. However, on that version it features a young rapper called Drake. That version is much more Funkier, and geared towards to the dance floor. What every version you get to listen to you will love them trust me. Please have a listen to this great soul version number of this track below.



With my next selection I decided to drop a track from a gentleman that has been around a few years but never seems to get the breaks. I received something in the post from this guy called Richard Alexander Davis(London, England). He has just bought an album which under his own name - Richard Alexander Davis (Released in 2009). It is a collection of Soul, Rn’b music underground classics that he sings in his own way. There are a number of cuts that makes you just smile just hearing the names of them again, let alone hearing them fully. For instance Sherrick's "Just Call" and Freddie Jackson tune, "Rock Me Tonight" are just two to mention here that feature on this album that he sings through. The track that I picked to play on the show from this album was this – “Darling” (which was originally released by Bob Sinclair). A lovely 1980’s sounding tune that I loved, and I have to be honest didn’t realise that Bob Sinclair put out originally. Richard does the business here. He voice really fits the music, which is light, just a touch funky, and yet is so carefree in sounding. Please click on the link below to a feel for what I am trying to describe to you here by clicking on the link below.



I have recently played this tune on the show in recent weeks, and I decided it was time to drop this one again. It still makes my head nod every time I listen to it; and it also makes me sing a few verses of the track to boot. Marsha Ambrosius is from London, England, and moved over to the Usa about 7 years ago to see if she could make it in the music industry within the Usa via the group that she was in called Floetry. The move worked as it Floetry had underground club success with single and album releases that they bought out over there. However, Marsha Ambrosius has recently bought out a mixtape called “Yours truly” (Released in December, 2008). On this particular mixtape there is a track called “Sunshine” by Marsha Ambrosius feat Phonte Coleman (From Little Brother and Foreign Exchange fame) they have a great track in their hands. It’s so funky, and yet soulful at the time that each particular musical vibe is not contradicting each other vibe on this track. Marsha voice is starting to be loved all over America if you are a straightforward Rn’b fan. Where’s as the rapper called Phonte Coleman on this track of Little Brother and Foreign Exchange fame have already secured a huge Underground following from where they are based (which is North Carolina) to New York and Los Angeles, is superb.

Phonte Coleman performance in fact (The rapping!) is first class. It isn’t rushed, the timing and pace of the rap is spot, and the lyric that he chooses makes you smile when you think of them. He and the group that he is in Little Brother and Foreign Exchange have bought back memories of how RAPPING used to be delivered in the days of the Native Tongues collective (A Tribe called Quest, Da La Soul, Jungle Brothers, Mone Love). Please have a listen to this tune by clicking on the link below.



That was to be the last time before this section of the show. Yeap you’ve guessed it. It was time for me to play the Rare Groove selection part 1 of the show. For those of you that listen in each week I need not say anything more. For those of you that are new to this well. Each week I play two sections of the Rare Groove selection. 3 songs in each part. These songs are either bonafide rare grooves, or songs that people have simply forgotten about. (However, if you want to know what was played in this part of the show you will have to listen to the show!)

As the last throes of the last song within the Rare Groove selection was finishing. I had already decided on playing House music. Yes House music. No not the Techno or Hard House version side of House music, but the Jazzy, Soulful and Funky side of House music. So for my first track within that gender I decided to play this “I might do something wrong” by Tortured Soul (Released in 2001). Wow, this is so Soul and Jazzy at the time that is makes people put their hands up and state that they might have got the wrong impression about House and Garage music. The music is jazzy, but the when the group as a whole starts to lay down the vocals its all soul baby. This is over a standard four to the floor House beat as well. Another great thing about the group is that always play their instruments whether in a live setting, or when ever they thinking of making a brand new tune. This is rare in House music, as most people love to make their music via samples or by other electronic means. Please have a listen to this classic Soulful/Jazzy House tune it really is that good. Please click on the link below.



Staying with House music as the previous groove and tune had got me all Housified was this one. With the previous House tune it moved within the Soul and Jazz Circles for its inspirations. However, with this tune we are truly blessed and moved by the Funk. The tune in question is called “The Murder Track” by Mike Delgado (Released in 1993), and what a beauty it is. Funk Music vibe backed up with distant strings playing ever so lightly in background. For those that really follow House music religiously we would call this style of House music Deep House. This is because it is instrumental, and it does use a lot of Jazz and Funk references within its makeup. A wonderful piece of music this is for instance the funk groove is a killer, and yet it is beautifully balanced out with the use of Summer sounding strings and keyboards in the background. Please have a listen by clicking on the link below.



One last track from me in regards to House music, and what better to leave on a high then with this track. The track in question that I played was called “Nightlife" by Kim English (The Masters at Work mix – 1994). It has reached classic status nowadays, and has now to be found with so many mixes because of it over the years as well.

The beat is nothing hard to be honest. If anything it is a standard four to the floor house beat. However, when it stops the beat and you can just hear those 4 chords changes at the beginning of the track ( from 30 seconds onwards) then you know that it’s going to be a great tune. The singing from Kim English is so good, so soulful in fact. And she is help by equally good backing singers on this tune. Half way through the tune it starts to get even funkier then it began as. As good as Kim English is on this track as a vocalist, credit must be given to the arranging and production duties by the Masters at Work team. They make this tune sounds so Soulful, funky and jazzy all at the same time. Please have a listen to this tune, you will love it. Just click on the link below.



Looking up on the studio clock I didn’t realise that there was around 13 minutes left on the show to go. Wow was I having fun or what? I still needed to play the second of part of the Rare Groove selection part 2. No I'm not going to tell you what I played. Listen in whenever I play live, and you will find out.

Had time for one last track. Had a few minutes left to play this, and what a corker it is even for us today. The track in question is called “Groupie Love” by 213 (Released in 1995). Warren G, Snoop Dogg and Nate Dogg all feature on this funky, funky track, and highlights how funky West coast rap can be. Or G Funk as they like to call it. The track uses this sample on this occasion which is “Chameleon” by Herbie Hancock (Released in 1973 on the album called “Head Hunters). Snoop Dogg and Warren G do most of the rapping work on this; and I have to say they do a brilliant job. Their voices and vocal rhythm fits the song like a glove. To me Snoop Dogg verses sound the best, but you might think different. Please click on the link below and listen on.



Well that’s it from this week. I hope that you leave any comments about the various songs that you either heard through reading this Blog page or via listening to the show when it was played live on SUNDAY. Please leave any comments here and have you say.

If you are an up and coming artist/s and you would like exposure for your music. Please leave your comments here as well so that I can get back to you. Please do not be shy. Thanks.

Monday, 4 May 2009

Electric Soul Show - 25th April 2009 - www.icrfm.co.uk - Ipswich Town, England

*The Electric Soul Show is now on air - "Live" every SUNDAY - BETWEEN 10:00AM TO 12 NOON - English Time* Please check the time/s for your country listening times within the white bar or strip on this website!*

Started the show of with this, as I wanted to get over as many tracks as possible for you the listener. The track is called “Enjoy yourself” by Slakah the Beatchild (Released in 2008 from the album called “Soul Movement volume 1”) was a great way to start the show. Lovely soulful number, the drums are not harsh, the bassline is very simple indeed like the piano start to this, which sets the song up nicely. Reminds of a something that maybe Eric Bennet would have done. I love his voice (Slakah) as it is soft and yet so clear. I also like the fact that he name drops artists such as Marvin Gaye and SWV within his lyrics, which helps pricks up your ears. As soon as you hear this and you appreciate the Soul music sound, you will be wanting to hear this again. There is an alternative version of this going around as well. However, on that version it features a young rapper called Drake. That version is much more Funkier, and geared towards to the dance floor. What every version you get to listen to you will love them trust me. Please have a listen to this great soul version number of this track below.



The next track up on the roaster was called “Only you (bring me joy)” by Felicia Adams (Released in 2005 on the album called “Read my lips”). This track has a really outstanding and yet simple sounding bass line. To be honest it sounds as if the bass bass synthesiser was used here. Together with the drum line we really do have a funky cut here, but it not a fast number, it slow to mid-tempo in pace to be honest. It’s her voice, and what a voice she has especially on these funky cuts that makes the track sound out. I have to honest as well in that she is helped along by some excellent sounding backing singers, who make Felicia’s voice stand out even more on this track. Felicia who heralds from New York, bought out her debut album with this release. It is a combination of funky cuts and soul ballad type numbers. I have to confess that I prefer the funky numbers better. Please have a listen to the track by going to this website. Please go to the website below, and have a listen to the track in question.

http://cdbaby.com/cd/feliciaadams


Played this track last week,(In fact already two tracks from Slakah the beatchild of course including this!) and I was so impressed with this tune that I decided to drop the tune again this week). Slakah the Beatchild featuring Drake – “Bad meaning good” (released in 2008 on the album called “Soul Movement). All I have to say about this track is that it is lovely. A real nice track, which I enjoyed playing from start to finish. First of all it sounds so much like a summer track. I love the simple acoustic guitar chord strums employed by the Slakah the Beatchild. What they say about giving less to appear that you are giving more is true. I love the bass line on and the drum pattern that just touches on giving you a Hip-hop feel, but it is heavily influenced by funk. The whole vibe on the song though is heavily influenced by Soul Music. I love Slakah voice (It reminds me slightly of Dwele!) However it’s prefect on this tune, as is the rap provided by Drake. Drake’s rap doesn’t over power the tune; it allows the tune to breath and have another musical option. I’m going to check out the album if this is anything to go buy in regards to hearing this tune. Wow this is good. Please have a listen to the track yourself by clicking on the track yourself below.



Here is a track that I used to play all the time, and today I decided to pull this one out of my bag and so its good to hear again. The track is called “Unpredictable” by Jamie Foxx and Ludacris (Released on the album called “Unpredictable” in 2006). One of the big hits in 2006 in regards to the Rn’b scene of that year. Jamie Foxx is a movie star, hugely successful stand-up comedian and now a major music-selling star. This is a great single which includes a really great Rap from Ludacris on this half way throughout the song. The singing from Jamie is really first class; he comes across as a really good seasoned soul singer. Is there anything that this man cannot do? Please have a listen to this track and bring back some recent memories.



From one star to another in the making. Here is the Ryan Leslie. He has been making quote a big noise with his debut album called “Ryan Leslie” recently. And with single releases such as this; “Diamond Girl” by Ryan Leslie (Released in 2009 on the album called “Ryan Leslie”) you can see why. Its funky but not in the obvious way, and yet its full of the soul musical vibe; and it also includes a Rap in it as well. What more can you ask of a single. Most the instruments were played by and the song it’s self was written by Ryan Leslie. This man is immensely talented just as the previous artist mentioned above (Jamie Foxx). I love the Keyboard sound on this, its contagious, also the bass line and drum pattern which gives us that funk vibe which makes you want to get on the dance floor. Ryan can sing as well which makes this single sound that much better. Have a listen to this track yourself. You need to hear it for you to get it. Please click on the link below.



As I was getting more and more Funky with my track selection I decided to drop for my listeners this - “La, La, La (Excuse me miss)” by Jay Z featuring Nerd (Released in 2003 on the album called “The Blueprint 2: The Gift & The Curse”). The song was produced by The Neptunes and features Pharrell Williams singing a falsetto sounding hook on the single. The remix of this same tune was renamed "La-La-La" and was featured on the film sound track album called Bad Boys II and The Blueprint 2.1 as a bonus track. The bassline features a like sound effect. But all in all it’s so funky, and the rap from Jay Z is something else. In fact its first class. Whenever this dropped in a club it just makes people move I can tell you. Where ever you are. This is a great tune, not just a Rap tune. Please have a listen to the track.



Staying with hiphop fused with a funk vibe running through it sees me dropping a track called “Award Tour” by A Tribe called Quest (Released in 1993 from the album called “Midnight Marauders”). The song uses heavily from the tune called "We Gettin' Down" by Weldon Irvine from his 1975 album Spirit Man from 1975. Wonderful single this is that features great lyrical interplay between Q-Tip and Phife Dawg the two main hiphop lyricists on this track. I love the way that the track successfully combines funk and Jazz on a hiphop track. This single will make your head nod I can tell you. And you will smile at some of the lines that comes from these two rappers. Please have a listen to this track. It’s a must.



The next track is another Rap track, but with a really good Rn’b bounce to it as well. The track is called “Feels Good (Don't Worry Bout a Thing)” by Naughty by Nature and 3LW (Released in 2002 on the album called “llcons). This track sounds funky and bumpy, with the Soul music element coming from the 3 girls known as 3 little women. I like this track - Treach (normally the group’s main rapper shares his rap duties this time with the group other rapper called) “Vin Rock”; this works as they do bounce of each other bounce off each other so well in this track. They lay down credible lyrics here that make you the listener smile to ones self, and all this is set off against 3 little women - vocalists putting down some excellent vocals in the background and when singing the chorus. The music here is funky, but not overly funky which helps. As it allows you to here the lyrics that are being dropped by the two rappers. Great single. Have a listen to it yourself by clicking on the link below.



The next track came from The Whitehead brothers who are two brothers Kenny Whitehead and Johnny Whitehead who are the sons of r&b songwriter John Whitehead, who was one half of the duo famous Rn'd duo called McFadden & Whitehead. The song in question is that I play from them is called “Forget I was a G” (Released in 1994 from the album called “Serious”). Kenny is the Rapper, and Johnny is the (Singer) on this cut, and it works. The riff is so simple on this. Its made by the playing a few chords on a guitar that goes on throughout the song and sounds so groovy when added against a funky and rough bass line and a funky drum pattern. The Rapping and the singing is first class on this it really does make your head nod, and if dropped in a nightclub now it would still get the people on the dance floor. Please have a listen to this excellent single by click on the single below.



Well with all that Funky sounding Rap music being played. I nearly missed this part of the show. Yeap you’ve guessed it. It was time for me to play the Rare Groove selection part 1 of the show. For those of you that listen in each week I need not say anything more. For those of you that are new to this well. Each week I play two sections of the Rare Groove selection. 3 songs in each part. These songs are either bonafide rare grooves, or songs that people have simply forgotten about. (However, if you want to know what was played in this part of the show you will have to listen to the show!)

Well as the last throes of the last song within the Rare Groove selection was finishing I had already made up my mind in what my next tune would be to play for my listeners.

In fact I decided on playing this “We can get down” by Myron (The Groove Chronicles Uk Garage mix) (Released in 1998). Wow I’m touching down with some Uk Garage on the show would you believe? And this is one of the tracks within this gender that allowed it to become a craze between the years of 1997 to 2001. Its basically a remix from the Soul and Rn’b artist called Myron (Usa), which when he released, the single did well for him within the Usa via the Rn’b circles. However, here in London the group known as the Groove Chronicles provided some remixes for the same single and it became a huge underground hit.

Listening the original to this it is nearly completely different. The original is heaped in Soul to get its crowd, the remix uses funk, jazz and a faster tempo to get its crowd. The drum pattern is light and skippy, and the use of Jazz chords in the background also keeps this lighter then the original release. The use of sampled lyrics from the original single looped over and over again in certain sections of the single also makes you fall in love with this single as well. I can’t believe that already that this single is already over 10 years old. Please have a listen to this track by clicking on the single link below.



Going back in time with this tune that I have selected for my listeners. The track is called “Don’t be Shy” by Tommy Musto and Victor Simonelli (Released in 1992). A 4 to the floor drum beat together with a sampled vocal sound which is lopped over and over again at the very start builds us up to something very nice. Then there is a simple piano like, jazz chord progression sound which is added to the mix, and you just have to say “Wow”. It’s that piano sound that is added to this track which makes this single so groovy. As the track moves along other sampled voices are added to the track to make it even more interesting. But the piano like, Jazz chord progression and the drum pattern and funky bass line makes this track so groovy. Please, please click on the link below and hear a classic House and Garage tune. You’ll be sorry if you don’t.



Staying with House music for one more track sees me dropping this classic. It’s a remix featuring those House and Garage geniuses called The Masters at Work (New York, Usa). Originally this was a Rn’b tune that was written by Trey Lorenz and Mariah Carey from the outset. However the tune was given to the House and Garage duo mentioned above and the rest is history. What a wonderful piece of work these two came up with. If you’ve listen to the Original track of this its ok, in fact not bad. But after the Masters of work put their “Sound” on this it just makes you want to jump and get down and dance. It’s really funky even with a Four to the floor sound to it. It’s the bass line that gets you, and looped and sampled voice of Trey Lorenz that gets the listener into a spin. The track is called by the way “Photograph of Mary” by Trey Lorenz (featuring various mixes from the Masters at Work released in 1992); please have a listen to the track by clicking on the link below.



Oppps I’m always guilty if this because as I looked up at the clock again I noticed that time was racing away from me. In fact I’d better play The Rare Groove Selection - Part 2 of the show now so that wouldn’t run out of time to doing so. It’s that part of the show whereby I play 3 forgotten, or bonafide Rare grooves to my listeners. However, if you want to know what I played I’m afraid you will have to listen into the show. I keep saying this but you don't I?

Tim had run out for me now, and I was down to the last single on the show to be played for you. The track is called “Get down right? By Slakah the Beatchild (Released in 2008 in some parts of the World. Still not released official in the Usa yet from the album called “Soul Movement Volume 1”). Lovely sounding single to end the show with. I truly mean it when I say that this guy (Slakah - who is from Toronto, Canada) will become hot property soon. This is the third track today that I have played something from this young man, and all of it sounds "hot". Starts with a Rhodes Piano and a light guitar all playing a simple Jazz Chord progression. Then all of a sudden a really infectious drum pattern and bass line comes in. Wow this single sounds so good. It’s got that Acid Jazz feel to it, but with more Soul and Funk added to the “Bounce” if you know what I mean? I love the singing from the guest vocalist who is Divine Brown on this. She really can sing; and her singing is further heighten by a rap from the artist D.O. This single is light and jazzy in one moment, and then funky and soulful the next. Another great track from a album that is yet to reach the rest of the world. Please go this gentleman’s website and check out more track from him.


http://www.myspace.com/slakahthebeatchild


Well my time is now up and I'm away until next Sundays show. If you want to leave any comments that I have made about any tracks that were played; or any stories that I mentioned relating to the tracks as well. Then please add your own personal comments below via clicking on the "Comments button" OK? Don't be afraid to have your say here. *If you are an Up and Coming artist please and you are interested in having your music played on the show, please leave your leave details here so that I can get back to you. Ok?